About

It started as a favor. My friend Tobi was producing music and trying to run his social media at the same time, and both were suffering. So I took the videos. I was fourteen, DaVinci Resolve was new to me, and the only brief was: make it look like it belongs to him.

Two years later, that project has a new name — KEMRYX — and I ended up doing a lot more than the edits. The name research. The logo. The color system. The website. That work taught me the thing I actually care about, and it isn't effects. It's fit. A cut, a logo and a color either belong to the same thing or they don't, and anyone can tell within seconds.

That's what "Vision" means to me: looking at raw footage and already seeing the finished piece — then building exactly that, and nothing extra.

Anton Vision exists because I wanted a place to show that process. Most editing content is about features you'll use once in a hundred videos. I'm more interested in the other ninety-nine: how a workflow gets faster, what gets left out, and why a version that looks finished usually isn't. My rule is simple. Nothing is done until I still like it two weeks later.

Everything here is built by me — the edits, the branding, the site, the AI workflows behind them. If I can't show how it was made, it doesn't go up.

I've started plenty of things. This is the one I'm finishing.